Winter, Keven Newsome

It was only a couple of weeks ago but I've already forgotten how I heard about this book, but something clearly appealed to me because I immediately ordered it.

I wasn't quite so enthusiastic when the book arrived. One of the things dampening my enthusiam was the opening statement in one of the mini-reviews on the first pages: "Christian Goth - way cool concept".

Personally I see very little that is "cool" about that concept. Conforming to the world's obessions, whether "Goth" or any other cultural fad ought to be the antithesis of the Christian life.

And the beginning of the first chapter did nothing to win my confidence, having the feel and imagery of horror fiction written by an enthusiastic but clumsy teenager.

Harsh things to say about a book? Certainly. I'm not sure I've ever written such strongly negative things on this blog...

But then - wait for it... things steadily improve.

Before long I'm caught up in the story, I identify with the main character Winter, the "Christian Goth" mentioned in the previously mentioned review. Early in the story the idea of "judging a book by its cover" receives a little attention, challenging the viewpoint I expressed above regarding the "Christian Goth" issue and I have to concede the right of Winter to her image.
We are told she has only been a Christian for a very short time. We are also introduced to the reasons why she adopted the Goth image in the first place. So, looking past the "way cool" comment I mentioned earlier I have no problem with the character as she has been written and my issue so far is more with  the one who made the "way cool" comment rather than the book's author or his characters. Even the first chapter seemed less clumsy on reflection after I was able to place it in the wider context of the unfolding story.

One of the difficulties I find with Christian fiction is the underlying theology. With some books it is never an issue. They merely portray realistic people in familiar situations trying to deal with everyday life (with a few extreme situations thrown in) in the best way they can according to their level of faith in God. Moving from a place of doubt to a positon of greater trust is a common theme.
Winter is significantly different. It takes us beyond our familar world into territory more associated with the present day genre of "paranormal romance". Winter is struggling with dreams, visions and a recurrring feeling of deja vu. We find she is experiencing the beginnings of a gift of prophecy in which she is made aware of things that are either happening elsewhere or things that are about to happen.

And that is where my biggest concern with the book rises - with the way prophecy is portrayed in practice and purpose. To me the portrayal has more in common with clairvoyance and psychic practices than a biblically sound portayal of a prophetic gift. A clear example is Winter's need to have contact with an object belonging to another character to gain "prophetic" information about that character. That is an occult practice known as psychometry and not a practice of biblical prophets.

Considering the New Testament warns of an increase in false prophets and false prophecy , a non-biblical portrayal of prophecy in a potentially popular work of Christian fiction is worrying. As a work of fiction Winter is entertaining. It captures and keeps the reader’s interest. In my opinion it is a genuine page turner. But the nature of the theological foundation it is built upon makes that readability dangerous if readers accept the books portrayal of biblical prophecy and prophets as legitimate instead of being informed about these things through scripture itself.

Playing Beatie Bow by Ruth Park

While watching neighbourhood children playing a game they call “Beatie Bow”, Abigail Kirk sees another spectator, a young girl who remains unnoticed by the other children. Abigail’s curiosity leads her to follow the girl who runs to escape Abigail’s attention.

During their chase through the streets and alleys of The Rocks, there is a change in the surroundings and Abigail finds herself in 1870s Sydney. An accident results in Abigail being cared for by the young girl’s family who see Abigail as “the stranger” a mysterious visitor who always appears at significant times in their family history.

The stranger’s significance relates to the passing on of “the gift” of second sight from one generation of the family to the next. Granny, the current holder of the gift is growing weaker and the identity of its next custodian is uncertain. Abigail is not able to return to her own time until her role as the stranger has been fulfilled.

The consequences of its fulfilment affect not only the 1870s family, but also Abigail and her family in the present day. Through her journey Abigail learns to appreciate life and relationships in her own time and eventually finds hope for the future.

One of the appealing things about this story is its setting. I became quite familiar with The Rocks area when I lived in Sydney. It was perhaps my favourite part of the city. Right next to the harbour it maintains a lot of its historical character with many original buildings remaining intact. Gloria and I went there a lot, either to a favourite Irish pub for a Guinness or to the markets on the weekend, and sometimes to walk along the harbour, round circular quay to the Opera House. For a few years it was our favourite place to be on Australia Day, braving the media helicopter invasion to see the end of the annual ferry race.

I can’t remember where or when I bought Ruth Park’s Playing Beatie Bow, but it was many years ago and I bought it because I enjoyed the film adaptation.
While watching the film I could recognise some of the locations used. Now after many years of neglect I’ve read the book, and my familiarity with its setting helped me better imagine the places being described.

Time travel has been recurring thing in my reading and viewing this year. The next book on my list is Connie Willis’s All Clear, the continuation of the story started in Blackout and I recently finished For All Time by Meredith Resce.

Each of the books relies on a different means of moving through time. With Willis’s books a new technology makes it possible. Ruth Parks relies on “the gift”, a more paranormal approach: a step beyond clairvoyance in which a physical link to the past creates a kind of bridge between two times.

The idea of visiting the past brings up interesting questions about how much our knowledge of the present would prepare us for life in the past. Would it help us avoid potential dangers or could that knowledge even help us change the past to avert tragedy or prevent injustice? And if we change the past, what affect would that have on our own time? Would our own present even exist if the past was changed?

Reckless by Cornelia Funke

As a boy, Jacob Reckless found a way into a world of magic through a mirror in his father’s study. It was a world he tried to keep to himself, but that desire was frustrated when his younger brother Will discovered the secret and followed him.

We enter Cornelia Funke’s Reckless when the boys have reached adulthood, with Will suffering from wounds inflicted in a recent encounter with a Goyle, a stone-like race at war with the mirrorworld’s human population.
From the injuries a spreading petrification is taking over Will’s flesh. Jacob knows he has very little time to find a way of saving his brother. His search for help takes them through a place where many familiar fairytales have a foundation in reality.

While I found the first few chapters a bit unclear, it didn’t take long to get caught up in the brother’s situation. Joined by Will’s girlfriend Cara, and a shapeshifting fox, Jacob’s attempt to save Will takes us through fantastic landscapes and into contact with a variety of “fairytale” characters.

A story with references to ginger bread houses, child-eating witches, fairies, unicorns, dwarves and elves may sound excessively clichéd, but the story of Reckless is told with convincing grit without the slightest hint of cutesy Disney, or the grand epic feel of Tolkien. Well known fairy tale and fantasy references (like Cinderella, Sleeping Beauty, Hansel and Gretel) give a surprisingly convincing familiarity to the world of Reckless, but are mainly used as background colour rather than primary plot features.

This was a book I didn’t look forward to finishing; a book I hope will lead to a sequel or even a series, revealing more of the characters and their world. It has definitely made me keen to look for more of Cornelia Funke’s work.

I Am Number Four

Before I start on the content of this book, I need to address some things that affected my expectations prior to reading it.

I bought I Am Number Four without noticing the author’s name. When I got home and saw it was attributed to a fictional character I felt a bit concerned. It seemed like an overly contrived marketing ploy, or that the author had something to hide. Was he/she reluctant to be associated with the book?

A quick piece of research revealed the following about the author Pittacus Lore:


“Pittacus Lore is Lorien's ruling Elder. He has been on Earth for the last twelve years, preparing for the war that will decide Earth's fate. His whereabouts are unknown.”

Other searches reveal that Pittacus Lore is in fact TWO people, James Frey and Jobie Hughes. Frey was earlier the author of a memoir A Million Little Pieces, an Oprah book club best-seller that apparently caused some controversy when parts of the memoir were found to be not as true as many were led to believe.

So, was the pseudonym used to hide the involvement of an author with a controversial writing history? Or was it also the “marketing ploy” I mentioned above?

I suspect marketing played a significant part in the creation of this book. It seems like it is the first in a planned ongoing series, (perhaps hoping to follow the success of the Twilight Series). Also, a film is already in production. How long before the characters are sold as action figures?

But aside from the cynicism arising from the books background, how did I like the story?

Mostly I enjoyed it. I’ve had an interest in aliens, conspiracies and the unknown since childhood and the book covers that ground. I found the characters and situations were portrayed quite plausibly despite the fantastic elements. This perception may have been helped my longstanding interest in such things.

John Smith is “number four”, one of nine children rescued from Lorien, a planet being destroyed by a hostile alien race, the Mogadorians. The children and their guardians have made their way to earth where they each go their own way and try to hide their identity, in case the Mogadorians follow to destroy them.

The children have been partly protected by a “charm”. They can only be killed in a particular order. Attempts to harm or kill one of them out of that order will backfire on the assailant killing or harming him instead of the intended victim. The story starts when John (fourth in the order) receives confirmation that the first three have been killed and he is next in line.

The story has several elements. The most crucial is John’s evasion of the Mogadorians and his need to stay alive. Then he has to fit in with a normal school community life, dealing with teenage friendships, romances and bullying while trying to remain out of the spotlight which could draw unwanted attention. He also has to contend with developing special Loric talents (legacies) as he comes of age.

The book is paced quite well, continually developing new situations to keep the reader’s interest. This also helps to keep the reader from thinking too much about the implausibilities and weaknesses within the story. The “charm” intended to protect the nine is one of the weaker and least credible aspects of the story. The only reason for its existence seems to be to increase the stakes faced by John. He KNOWS he is the next one the Mogadorians will be coming for, making his situation more urgent and threatening.

The story moves on towards a showdown with the Mogadorians and we find out how John’s developing talents can help his struggle to survive. When the inevitable confrontation comes, the scale of it seems overwhelming and melodramatic in comparison to the tone of the rest of the book, and I found it difficult to see these events as part of the “real” world in which the story is supposed to be set.

As the first part of a continuing series, this book introduces some interesting characters and possibilities for the direction the story will take. What started as one teenager’s fight for survival will clearly expand into more widespread struggle for earth’s salvation, not only from the Mogadorians but from ourselves.

If earth survives the Mogadorians, will we take the right actions to ensure our planet’s survival? Will we follow the example of the Loriens, and reverse our exploitative and destructive practices before it’s too late? Or will we end up like the Mogadorians who, on depleting the resources of their own world seek out other worlds to despoil?

Richard Harland’s Worldshaker.

Before I write anything else I have to confess to two areas of apparent “vested interest”. Firstly Richard Harland was one of my lecturers/tutors at University in the early 1990s and he wrote me a very generous reference when I was looking for work afterwards. Secondly, in the mid 90s I worked for Allen & Unwin, the publisher of Worldshaker, for about a year and a half.
(Richard’s website also had a part in inspiring me to create this blog which is why I have a link to it in the sidebar.)

While this may appear to give me reasons for bias, I will also add that for one essay, Richard gave me the lowest mark I ever received for any assignment during my whole time at University (and I still remember after 19 years!!!), and A & U relocated my job to another city so I had to leave them and find work elsewhere in a less stimulating environment. So we can pretend that the positives have been cancelled out and a balance of neutrality has been restored.

Worldshaker was a book I didn’t want to leave. I read it at every opportunity and was disappointed when I reached the end. It’s the kind of book that demonstrates why continuing series of novels can be so successful. It is a book that creates a world and characters so interesting that you want to explore and experience them some more.

Harland has created an alternative history, a world where the industrial innovation and creativity of the Victorian era has taken a huge leap beyond the bridge and shipbuilding wonders of I K Brunel. In this world political necessity has driven steam age technology to achieve far grand goals than was the case in the “real” Victorian age.

Worldshaker is a massive “juggernaut”, part ship, part tank, part earthmoving excavator, which houses and employs citizens of various fixed classes. Perhaps a comparison could be made to futuristic stories of massive star-ships transporting nation sized communities through space – except juggernaut communities are earthbound and restricted to Victorian age technology.

Colbert Porpentine, heir in waiting to Worldshaker’s Supreme Commander, is thrown into contact with a girl who has entered his room to hide from the authorities. She is a member of the lowest of the low, a “filthy. A reflex decision not to expose the girl’s forbidden presence puts Col’s privileged position at risk and leads him to discover the price that others continually pay to maintain the lifestyle of the Juggernaut’s elite classes.

Worldshaker has what I consider to be a novel’s most essential qualities: strongly believable characters that I care about; an exciting storyline with interesting and original ideas and on a more practical level - short chapters.
I have found long chapters can be a stumbling block to successful reading. It is a major reason I’ve always struggled with Lord of the Rings. By the time I finish one long chapter, the task of reading another of similar length can seem too daunting, especially when other things are competing for my time. With shorter chapters it is easy to read “just one more chapter” several times in succession until a significant portion of the book has been read.

Worldshaker would be classed as a Young Adult title and it was a pleasure to read a book untarnished by the presence of graphic sex and foul language. From recent experience, books that don’t resort to such devices are becoming increasingly hard to find.